4:3 3 channels, Dv, 5min.40sec., stereo, dimensions variable, footage from The Peripathetic Film & Video collection

A work on body movements, intensity and aliveness.

An ode to sheer becoming.

The public at a concert and the lovers from the mythical desert scene in Antonioni's Zabriskie Point come together for a study and celebration of emotional becoming.

Portraying the ecstatic sensuality of sweaty and dusty body movements colliding as if the viewer is also in the middle of it.

ZU specific music composition carries the movements weight and lightness to a radical sound.(C.S.)

"The composition came out of our reactions to the images, when we play music we address individuals not people. In the video we saw two different souls that we named the red and the blu ones, in which the music would be perceived by individuals or masses of bodies. Music for us is an execution along with the negative meaning to it. This time was also about amplifying what was already in Carola’s mind." (ZU)

Commissioned by Netmage 06

Palazzo Re Rebaudengo, Bologna

Collateral when Art looks at Cinema, Hangar Bicocca Milan 2007

Colateral quando a Arte olha o Cinema, SESC Sao Paulo 2008

COLLATERAL - When Art Looks at Cinema,  catalog  CHARTA

Artist's films. Paths and comparisons between art and cinema 

Film d'artista.Percorsi e confronti tra arte e cinema

by M.R.Sossai